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Thoughts on Amazon’s Vella serials

I’ve seen a number of authors mentioning the new Amazon Vella feature for releasing serialized writings, so I took a look and have a few take-aways that I think people should be aware of before deciding to enroll. Those are:

  • Exclusivity: (See below updates, as initially defined policies have changed more than once) Any work you put on Vella can only be on Vella. No excerpts elsewhere, no ebook version anywhere, not even on Amazon itself. This is likely a permanent decision, as you would have to unpublish from Vella in order to republish as an ebook, running the risk that you might catch some readers in the middle of the serialized form, who would be (rightfully) upset at having to buy the full book in order to finish.
  • First three episodes are free. Meaning no royalty is paid for them. Accordingly, I would recommend you have a minimum of ten episodes. Anything shorter than that and you would be better off publishing as $0.99 shorts.
  • Tokens. After those three free episodes, Vella users will use tokens to unlock episodes based on a rate of one token for every 100 words of the episode. Pricing for those tokens starts at $2 for 200 tokens and drops to $15 for 1700.
  • You have no control over pricing. Through the token price, Amazon has set a baseline per-word rate of $1 for every 10000 words (for the episodes the reader actually pays for). We’ll have to see whether that becomes a pricing ebooks have to compete against. A standard of 10000 words for a $0.99 short? 30000 words to price at $2.99 to get the 70% royalty rate? Certainly, if you write a 60000 word novel that you were going to publish at $5.99, you’re equal to that word rate. But, the difference is if you divide that novel into 12 episodes in Vella of 5000 words each, you would get paid $2.25 in royalty. When your royalty as an ebook would be $4.20. While Amazon’s profit would be $2.25 in Vella versus $1.80 in ebook form. Why would we want to give Amazon more profit while we get less? It would be one thing if Vella proves popular enough if your book winds up with more total readers in the serialized form, to offset the lower royalty. But to wind up with the same number of readers and make less money?

This is just comparing Vella to other Amazon options. If you also look at Smashwords, its royalties are not reduced based on price. They’re calculated as 85% of the net sale, after deducting the credit card processing fee. So, it’s entirely possible to get 80+% royalty, even on $0.99 shorts, if enough books are bought in one order to spread that credit card fee out. But, even bought solo, you’d likely still get more than Vella’s 50%. And you can even make the first three parts of a series free, if you really want to mimic Vella. Or just the first one. Your call.

Here’s Vella’s pricing/royalty Info.

Update: I’ve been told that Amazon Customer Service indicates serials on Vella will be allowed to be posted as serials on other similar services, but simply can’t be posted in full book form before or while on Vella. However, that’s not my reading of the Terms of Service as was posted when I wrote this.

Update 2: Amazon has revised their policy, allowing Vella episodes to be republished in ebook form, so long as two conditions are met:
A: The episodes being published must have been up on Vella for at least 30 days. From what I understand, this only applies to the episodes being included in the ebook, not the entire serial. So, if you have a 40-episode serial, you can publish an ebook of the first 10 episodes after the 10th has been up for 30 days, while you’re still releasing new episodes via Vella.
B: The ebook must contain at least 10 episodes. This prevents you from simply republishing each episode as a separate $0.99 short. When deciding on how many episodes to bundle and price, keep in mind the three free episodes and the need to price at least $2.99, to get the 70% royalty rate at Amazon. Even if you could, I wouldn’t publish 1 episode as a $0.99 short, because that’s priced higher than Vella’s price
, while bundling two or three episodes together at $0.99 to be price-competitive only pays 35% royalty. For that hypothetical 40-episode serial, if they’re 4000 word episodes (which Vella would sell for 40 cents each) I would price the first 10 episodes at $2.99, to compensate for the three free episodes, and $3.99 for each ebook after that. At the 70% royalty, you’d make more than on Vella, per reader. Although that does beg the question of why to do Vella at all.

Update 3: It has come to my attention that Vella is allowing users to return episodes (for a refund of their tokens, not the money they spent on them) for 7 days after buying them, in which case authors don’t get paid, even though the user read the episode. If you’ve already been burned by returns on regular ebooks or Audible, keep this in mind.

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My View on Amazon

Given the recent kerfuffle over Amazon temporarily suppressing site-wide rankings for erotica, I figure it’s time to express my opinions about the behemoth that seems to always be on the minds of erotica writers.

Sure, Amazon is the biggest ebook retailer out there.  You would have to be a fool not to attempt to sell your ebooks there.  But I’m a firm believer that you should always “go wide” in your effort to sell your work, especially if you write in sub-genres that Amazon doesn’t accept, like I do.

In particular, I believe that Kindle Unlimited is ultimately destructive to the industry.  Obviously, Amazon runs the program because it benefits them to do so, for two reasons:

  1. They are using it to establish dominance, if not monopoly, over the ebook market by pulling readers and books from other retailers.
  2. They profit more from it than from just selling ebooks.

What’s wrong with that?  From Amazon’s perspective, it’s great for them.  It steals books from the “inventory” of their competitors, draws more readers to them, helps them sell Kindles and makes them money.

Why is KU bad for authors?  First, we have to understand that KU is ultimately decreasing how much money reaches the hands of writers overall by decreasing the number of books sold, which can only decrease the numbers of writers who can make a living from writing (I don’t, at this time, but hope to).  Second, it pushes writers into a quantity vs quality decision that makes it harder for anyone to build a real audience, so glutted is the marketplace with “free” books.  Why put out the extra effort to publish 10 really good books in a year, when it seems you have to put out 50, no matter how quickly they were written and edited, just to get noticed?  Books that wouldn’t deserve to be bought at any price, whether from quality or length, still get read under KU because it costs the reader nothing but their time and if they give up in disgust half-way through, so what?  It was free for them.  Third, it forces authors who aren’t enrolled in KU to lower the price on their books to compete with the “free” books, further depressing earnings for everyone.  Everyone but Amazon.

Why is KU bad for readers?  You’re paying less to have books to read, aren’t you?  That’s what it looks like in the short term, but if you’re effectively discouraging writers from writing their best book, whether their output is decreased because of the time spent in a day job they wish they didn’t need or from pumping out more books that aren’t as good as they could write if they put more effort into polishing each one, aren’t you missing out on the experience of reading the book they could have written with more time and effort?  I would rather reward the best writers than read an endless stream of bad writing for semi-free.  I can find better writing on a truly free erotica site like Literotica than some of what I see pumped out on Amazon.  I hope my readers see the effort I put into my books, even if they’re still not as good as I want them to be.

Why is KU bad for the industry?  If it enables Amazon to achieve a monopoly, you’ll see royalties drop even more, rules about what is acceptable get tighter, and on and on.  We need Amazon to have competitors.  And that means those competitors need books to sell.  Be the authors who provide them.  Be the readers who buy from them.

So, whether as a reader or a writer, I believe we should support as many retailers as possible, for the overall health of the industry.  I’ll buy from Amazon those books that I want to read that might only be available there, when I get a gift card, but I’ll mainly support Barnes & Noble, Smashwords, Streetlib and other retailers so we have a vibrant publishing industry for years to come.  Join me?

~~~~~

NOTE: I have been writing erotica for just over two years.  I still consider myself in a “Build an audience” stage, hoping to support myself on my writing combined with retirement savings at some point in the future.  I’m currently 55 and recently unemployed and would love, love, love not to have to find another job, but that might not be possible to avoid this year.

My output (roughly 600,000 words) to date has been published in 26 ebooks of varying lengths, with one work-in-progress posted to WattPad that I plan to get back to writing soon.  16 of these ebooks contain incest, so the 10 non-incest works are published to Amazon through their KDP program but none are on KU.  All 26 are available on Smashwords, which distributes the same 10 ebooks to Barnes & Noble, Kobo and Apple, among other retailers.  24 are published to Streetlib, which distributes eight non-incest ebooks to Google Play and other retailers, where I try to not overlap with Smashwords’ list.  23 ebooks are also published to Excitica, which welcomes the taboo.  The bulk of my royalties come from Smashwords, such as they are, with Amazon coming in second.

Four of the longest incest books have been converted to paperback editions via Streetlib, which happens to distribute them to Amazon without asking whether they contain incest, so if you search Amazon for “Leenysman”, you’ll see a total of 14 titles listed, 10 ebooks and the 4 paperbacks.  Four incest ebooks managed to survive on Barnes & Noble after their purge last year, although not the same four, so you’ll see 14 titles there, too.

See M.R. Leenysman Links for a set of links to my pages on various retailers or Books by M.R. Leenysman for an overall list of books.

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Print Edition of First Year After! [OBSOLETE]

[Obsolete – Paperback has been blocked due to content by Streetlib.  If it returns to sale, it will probably only be on Streetlib]

“First Year After”, my very first book available in paperback form, has been released by Amazon.com, through the Print service offered by Streetlib.com, priced at $12.99 USD.  Even though the ebook format isn’t available on Amazon (it features incest), Amazon has (surprisingly) accepted the print version.  Get it before they realize and ban it!  I ordered my own copy this morning!

Some of my followers may have noticed that I have started listing my ebooks at Streetlib.com.  Like Smashwords.com does, Streetlib distributes ebooks to plenty of other retailers, with quite a few more European retailers, since Streetlib is headquartered in Italy.  Where they overlap, I’ll let Smashwords distribute, to avoid duplication.

Streetlib does have a couple of advantages for an American author over Smashwords.  The first is that they distribute to the Google Play store, where Smashwords doesn’t.  The second is that they have a Print operation, where print editions of books can be set up, and will even be carried by Amazon’s CreateSpace operation.  For some reason, Amazon has the book available for ordering sooner than Streetlib itself.  I will be adding the rest of this series and a few other longer works over time.  Watch for announcements here.

P.S.  Also available at Amazon UK for £9.99.